Born 1972 


EDUCATION 

2005 
MFA Art - Art Center College of Design 

2000 
MA Fine Art – Print Making, California State University Fullerton 

1995 
BA – California State University Fullerton 


ONE PERSON EXHIBITIONS 

2007 
Daniel Hug Gallery, Los Angeles, California (October 2007) 
Solo Exhibition, Liste, the young Art Fair, Basel, Switzerland 

2006 
TRUDI Los Angeles, California 

2005 
Hello Victims, MFA exhibition, Art Center College, Pasadena, California 


SELECTED GROUP EXHIBITIONS 

2006 
Deitch Paper Store, Art Basel Miami Beach 
6+6+06, curated by Jan Tumlir, USC Graduate Fine Arts Studios, Los Angeles, California 

2005 
Post-Postcard, Outpost for Contemporary Art, Los Angeles, California 
Supersonic, Los Angeles Design Center, Los Angeles, California 

2003 
New Wight Biennial, UCLA Wight Gallery, Los Angeles, Califorrnia 


PUBLICATIONS 

Telivision Could Be Much Better: On the Work of Brian Bress, NY Arts Magzine, Nov/Dec, 2006 
Untitled #1, 2006 (Mike Kelley, Silver Ball), 2nd Cannons Publications, August 2006 
Bedwetter Magazine Issue 11, Bedwetter Pubs Dec 2005 
Hello Victims: Ad Reinhardt, 2nd Cannons Publications, 2005 
Good Boy, self-published, 2005 
The Cindy Shermans I’d Like to Fuck, self-published, 2003 
Black and White Reproductions of the Abstract Expressionists, self-published, 2003 

Founder/Publisher - 2nd Cannons Publications, 2005 - Present 
Founder and Publisher of artist’s book press with international distribution. Past/Upcoming projects include publications with: Bruce Hainley, Bruce LaBruce, Meg Cranston, Julie Lequin. See www.2ndcannons.com for more information 
Founding Editor - Leisure: An Art Journal, 1st issue expected January 2007 


PRESS 

Johnson, Paddy, Art Fag City Likes Books, Art Fag City 
http://artfagcity.blogspot.com Nov 16, 2006 
Russell, Christopher. Kennon’s Cannons 
Artillery, Issue 2 October 2006 
Johnson, Paddy, Myspace Featured Friend or I Heart Darkness 
Art Fag City http://artfagcity.blogspot.com May 30, 2006 
Snellman, Natascha. I Heart Darkness: Interviews by Natascha Snellman 
2nd Cannons Publications, June 2006 
Russell, Christopher. Sucking Ass: SoCCAS and SoCal Art Schools 
artUS, Issue 13 May-June 2006 
Hoffberg, Judith. Review of Hello Victims: Ad Reinhardt 
Umbrella Magazine, vol. 28, No. 2-3 October 2005 
Taft, Catherine. Hello Victims, Supersonic: LADC website. June, 2005 
Hoffeberg, Judith. Review of Black and White Reproductions of the Abstract 
Expressionists. Umbrella Magazine, 2003 
Lavitt, Lauren. Cira Circa, The 2003 Wight Biennial Catalog, 2003 


COLLECTIONS 

Museum of Modern Art, New York, Ny 
Museum of Contemporary Art, Los Angeles, CA 
Midway Contemporary Art, Minneapolis, MN

B. 1970 Pasadena, California 
Lives and works in New York


EDUCATION 

2002
M.F.A., UCLA, Los Angeles, CA 

1998
B.A., English Literature, UCLA, Los Angeles, CA 


SOLO EXHIBITIONS

2007
The MORL or NYC-Apartment, LA><ART, Los Angeles
Bread & Balloons, Harris Lieberman, New York

2006
XX , Daniel Hug, Los Angeles

2005
Michael Queenland: Photographs, Sculptures and Shaker Classics, Institute of Contemporary Art, Maine College of Art, Portland, traveling to Massachusetts College of Art, Boston
Scratch: Artists in Residence 2004-2005, The Studio Museum in Harlem, New York

2004
Daniel Hug Gallery, Los Angeles, CA 

GROUP EXHIBITIONS

2008
Whitney Biennial, Whitney Museum of American Art, New York
Nina in Position, curated by Jeffrey Uslip, Artists Space, New York
Act so that I can speak to you, Galerie Kamm, Berlin

2007
In Defense of Ardor, Bellwether Gallery, New York

2006 
Cataract, Wallspace, New York
Trace, Whitney Museum of American Art at Altria, New York
Civil Restitutions, Thomas Dane Gallery, London

2005
Frequency, Studio Museum in Harlem
Happenstance, Harris Lieberman, New York
Put It In Your Mouth/I’ll see you on the dark side of the prune, Rivington Arms, New York
Hyperfocal, Five from L.A, Galerie Nelson, Paris, France 
Group Show, Daniel Hug Gallery, Los Angeles

2004
Fade - A survey of African American Art 1990-2003, curated by Malik Gaines, Luckman Gallery, Cal State Los Angeles, CA 
Group show, The Project, Los Angeles, CA 

2003
Antisocial, Wallspace, New York, NY 

2002
Stuff for use at Hand, The Happy Lion, Los Angeles, CA 
MFA Thesis Exhibition, UCLA, Los Angeles, CA

2001
After the Diagram, curated by Lauri Firstenberg, Whitebox, New York

SELECTED BIBLIOGRAPHY

2007 
Smith, Roberta. “Art in Review: Michael Queenland: Bread & Balloons”, The New York Times, 9 March 2007.

2006 
Brockington, Horace. “Wavelength (#2).” NY Arts Magazine Vol. 11, No. 3/4, March/April 2006.
Johnson, Ken.  “Art in Review: Trace.” The New York Times, August 18, 2006.
Keegan, Matt.  “Top Ten.” Artforum February 2006, p. 98.
Pollack, Barbara. “Review: Happenstance.” Time Out New York, Issue 536: January 5-11, 2006.
Hainley, Bruce. “Review: Michael Queenland at Daniel Hug Gallery.” Artforum September 2006.
Sholis, Brian.  “Critic’s Pick: Trace.” Artforum.com, September 2006.
Carter, Holland. “Visions from Nigeria and India and a Van Searching for Utopia.” The New York Times December 25, 2006.

2005 
Cueff, Alain. Hyperfocal (catalog), Galerie Nelson, Paris, 2005.
Golden, Thelma. “Extremes: A Dialogue Between Michael Queenland and Thelma Golden.”Frequency, The Studio Museum in Harlem, 2005.
Kamps, Toby.  “Michael Queenland.” Scratch: Artists in Residence 2004-05, Studio Museum in Harlem, 2005.
Keyes, Bob.  “A Sweeping View of the Artist’s Role.” MaineToday.com 18 September 2005.
McQuaid, Cate. “Conceptual artist’s funny, mystical show recalls the Shakers.” Boston Globe 9 December 2005.
“Michael Queenland: Photographs, Sculpture and Shaker Classics.” Michael Queenland: Photographs, Sculpture and 
    Shaker Classics, Institute of Contemporary Art at Maine College of Art, 2005.
Paige, Ian.  “The Shaker Conspiracy.”  The Portland Pheonix 8 September 2005.
Cotter, Holland. “Fanciful to Figurative to Wryly Inscrutable.” The New York Times July 8, 2005.
---. “Review: Happenstance.” The New York Times December 30, 2005, B37.
---. “Scratch.” The New York Times July 29, 2005, E23.
Smith, Roberta.  “Where Issues of Black Identity Met the Concerns of Every Artist.”  The New York Times, November
    18, 2005.

2004 
Hainley, Bruce. “Notes on Renewed Appropriationisms: The Project.” Artforum May 2004. 
Roberts, Bryony. “All’s Well on the Uptown Front.” The L Magazine.


AWARDS

2006
United States Artists Fellowship

2005
Peter Norton Family Foundation Exhibition Grant for Michael Queenland: Photographs, Sculptures and Shaker Classics,
    Institute of Contemporary Art at MECA
 
Helena Rubenstein Foundation Fellowship award for The Studio Museum 2004-2005

2002
The Ed and Marie Shaw fellowship award, UCLA


PUBLIC COLLECTIONS 
Studio Museum in Harlem